What do Anne Boleyn and Weetamoo of Colonial New England have in common? They were both Queens and both had their heads chopped off.
The Captive presents the story of Weetamoo, a Native American Queen in 17th century New England, who led her Pocasset braves (the ones who survived the scourge of European diseases) in battle against the invading English and their Native Allies during King Philip’s War (1675-76). The Colonial Army was organized under the auspices of the United Colonies, a body formed to combat Natives that evolved into an enduring institution, eventually challenging their overlord, the British Crown, a hundred years later in the American Revolution.
King Philip’s War (Metacom) was the last concerted effort of coastal northeast Woodland Nations to expel the English, in particular the Puritans, and they nearly succeeded. This singular event ignited a firestorm that swept over the entire North American Continent, annihilating ancient cultures, entire eco systems, and the animals they supported. For eleven weeks and five days in early 1676, when a Confederation victory was not assured, Mary Rowlandson, a Puritan Preacher’s wife, was Weetamoo’s slave.
This true encounter has been brought to life on stage in context with the events of their time. The metaphorical story of Annie and Joshua gives voice to the dispossessed. Musical instruments, period songs, and dialogue lifted from historic journals all combine with the thrill of spectacle into a dramatic play in two acts: THE CAPTIVE
Painting: Indian Princess by Anthony Gruerio